News & Media


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The Gate City Zen Meditation Group has been meeting for the last decade and now meets weekly at Scuppernong Books in Greensboro. (photo by Sayaka Matsuoka)

The Gate City Zen Meditation Group has been meeting for the last decade and now meets weekly at Scuppernong Books in Greensboro. (photo by Sayaka Matsuoka)

Media Appearances and Interviews

"A quiet place: Greensboro meditation group finds solace in silence," Triad City Beat (December 11, 2019)

"Spartans Go Global This Summer," UNCG News (June 13, 2019)

"Denise Gabriel’s Work with College Students," Sensory Awareness Leaders Guild March 2019 Newsletter (March 12, 2019)

"Abrahamse-Meyer Productions of Cape Town, South Africa, brings “Desire Under the Elms” to Triad Stage," Greensboro News & Record (September 22, 2016)

Denise Gabriel facilitates Spontaneous Mindfulness for UNCG Theatre students and alums,” CVPA (September 10, 2015)

"It Takes A Village," UNCG Magazine (Spring 2014)

"RDT Summer Camp to produce ‘Charlotte’s Web’," Union Springs Herald (May 15, 2013)

 

Reviews

Spectacular Production ‘Man of La Mancha’ At Triad Stage,” Rhino Times (May 13, 2019)

"‘Good Kids’ Opens in Bartlett Theatre," The HWS Update (October 16, 2015)

Kindness stronger than wit in bout with life and death,” Triad City Beat (October 7, 2015)

"An Unsettling Wonderland," The HWS Update (January 15, 2015)

Brother Wolf Offers Forgiveness for Dread and Terror,” Camel City Dispatch (May 10, 2014)

A Spellbinding Illusion at Triad Stage,” CVNC (June 15, 2012)

Back to Banjos and the Blue Ridge,” UNCG News (May 25, 2010)


This by Melissa James Gibson
February 27 - March 2, 2014

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During the course of the show, the audience is witness to a fight scene and a disturbing sexual assault. Recognition must be given to Triad Stage’s choreographer Denise Gabriel, and resident fight choreographer Jim Wren, for their skill in bringing these ever-so-real scenes to life. In a more light-hearted fashion, there are several scenes in which tin buckets and mops transform into valiant steeds without any trickery or illusion. The choreographed movements of the actors and the ability of those actors to interact with minimal props is absolutely brilliant.
— Rhino Times